SONG-SPECIFIC CONTENT
Give each track a scene.
Custom animation for the songs that need a distinct atmosphere, image or visual turn. Motion can develop with the arrangement rather than repeat unchanged.
DISCUSS SONG VISUALSGHD STUDIO / CONCERT & LIVE EVENT VISUALS
Concert visuals made for the music, the artist and the room. From one standout song to a whole set, we create motion content that gives the performance a visual language of its own.
FOR ARTISTS / CREATIVE DIRECTORS / TOUR & FESTIVAL TEAMS
ILLUSTRATIVE STAGE CONCEPT / SCREEN CONTENT STUDY
THE MUSIC LEADS. THE VISUALS FOLLOW.
A live visual should make a song feel bigger in the room without pulling attention away from the artist.
We listen for the moments that change the energy: the first note, the drop, the quiet section, the last hit. Then we build imagery and motion that can live on LED screens, projection surfaces or a custom stage canvas. The result belongs to the performance, not a generic loop library.
WHAT WE CAN CREATE
Start with the moment your show needs most. We shape the scope around the performance, available screens and production schedule.
SONG-SPECIFIC CONTENT
Custom animation for the songs that need a distinct atmosphere, image or visual turn. Motion can develop with the arrangement rather than repeat unchanged.
DISCUSS SONG VISUALSA CONNECTED SHOW PACKAGE
Openers, interludes, transitions and recurring motifs can carry one visual identity through the performance while giving each song its own character.
DISCUSS THE FULL SETSCREEN ADAPTATIONS
We plan content for the screen layout you have: a main LED wall, side screens, vertical surfaces or projection. Versions and safe areas are agreed with your show team.
DISCUSS SCREEN FORMATSMUSIC INTO MOTION
Contrast gives a show its shape. Not every track needs maximum brightness or motion; space can make the next impact land harder.
HOW WE BUILD IT
We work with the artist and the people running the show, so creative decisions and technical requirements meet early.
Share the music, setlist, show date, stage references and screen map. We identify the songs and moments that need content.
We propose a direction and show early frames or motion so the artist and show team can respond before full production.
We develop the agreed pieces, review pacing against the tracks and refine the content through planned feedback rounds.
Final exports follow the agreed dimensions, frame rate, codec and timing notes. Your playback or production team receives the files for the show.
GOOD TO KNOW
They are motion graphics, animation or video content designed to appear during a live performance, often on LED screens or projection surfaces. Content can support individual songs, transitions, show openings or the wider visual identity of a tour.
Yes. We can create one song-specific piece, a few key moments or a connected visual package for an entire set. We recommend a scope after reviewing the music and show plan.
They help us plan the content correctly. Send a screen map or technical rider if you have one, including dimensions, resolution, frame rate and playback requirements. If the setup is still changing, tell us what is confirmed and we can plan for adaptations.
Yes. Existing videos, cover art or artist branding can be a starting point. We can rework the composition and motion for the stage format, or create a new visual direction that still connects to the release.
We can design content around songs, sections and cue points, and supply separate pieces for flexible playback. Tell us how tightly the show is timed and who controls playback so the deliverables fit your setup.
Our core service is creating and delivering the visual content. Playback, media-server programming and on-site operation are handled by your show team unless a separate production arrangement is agreed in advance.
As early as the setlist and stage plan allow. The timeline depends on the number of songs, creative complexity, screen formats and review rounds. Share the first show date and we’ll discuss a realistic schedule.
We quote after reviewing the number and length of pieces, original artwork or animation required, screen adaptations and delivery deadline. A rough setlist and stage plan are enough to begin the conversation.
YOUR NEXT SHOW
Send the artist, music, show date and whatever you know about the screens. We’ll reply personally and help define a practical creative scope.
OR EMAIL THE STUDIO